The figure of a publisher is very important to an artist.
Carlo Bellotti Publishing has a vested interest (being co-owner of the work and therefore the corresponding economic exploitation) to use your material in many different ways and contexts, taking care of many of the aspects related to the licenses of synchronization, use of music recordings and live performances. Carlo Bellotti Publishing also takes care of the security and legal protection of your work,
dealing with litigation, plagiarism, theft, and fraudulent actions that external entities could carry out on the artists we represent.

Carlo Bellotti Publishing protects the interests of the composer. It may be deduced from this that anyone who wants to use a song in a production must have recourse to the license of the publisher, that is the copyright owner. The proceeds of these licenses are divided (by contract) with the artists we represent. In the absence of a publisher, the majority of the proceeds earned from you will be “frozen” by the collecting society such as S.I.A.E. or the equivalent in another country. Many marketing such as synchronization deals will be impossible to be executed (by the artist alone) due to the lack of publisher. The first step of the publisher involves the registration and deposit of the work. The formalization of the authorship of the work allows you to make it publicly available. Carlo Bellotti Publishing exerts a form of bureaucratic protection that the author could not achieve and allows you to multiply your income because
the work edited has a higher value.